Shoresh/The Ground is on Fire

Shoresh/The Ground is on Fire is a performance by the playwright and director Nasim Aghili and the visual artist and set designer Björn Karlsson, both international artists based in Stockholm, Sweden. The performance is inspired by four modern protests in Europe and USA and embodies historic and contemporary acts of civil disobedience, all of them important in the struggle for democracy and human rights. The piece is a follow-up to the Swedish performance ”The Ground is on Fire – a performance about uprising through Husby/Clichy-sous-Bois/Tottenham/South Central”, which in 2014 got massive attention and gave rise to one of the biggest debates around performing arts and politics in Sweden. The performance was supported by activists and artists but was cancelled after one month by the theatre Östgötateatern with two months of sold out performances left. The journalists and police debating the performance talked about reversed racism and questioned the critic of police brutality and the art piece’s right to envision other political orders.

The new performance Shoresh/The Ground is on Fire wants to bring attention to questions about civil movements, public resistance and organizing in order to gain democratic rights. An important task in a time when racism, homophobia, capitalism and sexism work hand in hand to give the ruling people the power to define the movements and the resistance.

Shoresh/The Ground is on Fire will be performed in London, Paris, Los Angeles and Stockholm and the piece is an international collaboration between the Swedish art group aghili/karlsson and four poets from the four cities, performing on stage and creating a site specific performance. We believe that the different protest cities’ unique geographical context in relation to the themes civil disobedience and massive protests can create an artistic web of solidarity between the places, the protests and the artists bearing witness of the struggles for justice and human rights.

“Art can educate the imagination.”
/Angela Davis